following on from david morales appearance on the label earlier this year, rekids tap up shed and ryan elliott for a pair of percussive reimaginations. well known for remixes of the thompson twins, shawn christopher, clive griffin and the pet shop boys, morales red zone moniker was conceived during the def mix legends formative years at the renowned club sharing the same name. 50 weapons and monkeytowns shed adopts his head high alter ego for a remix that draws the originals vocals into the spotlight before planting thunderous kick drums beneath whilst dusty pads operate above. meanwhile, ostgut ton affiliate ryan elliott crafts a reimagination that incorporates breaky percussion, a rumbling low end and sweeping astral synths.

outstanding techno banger with early 1990s pre-idm uk techno reminiscences - highly recommended!

skilfully balanced, necessary techno boom w/ early 1990s uk leftfield techno vibes

transatlantyk return with a double header informed by the dark continent label regular universo (architect of their best ep no less) cooks up a splendid slice of culturally appropriated, campfire heat. its graceland era paul simon fed through some expertly assembled 21st century software. on the flip ryan r (reynolds maybe?) offers up umqondo. as western polands answer to awesome tapes from africa, we d say he knows from whence he takes. its a groove so thick even dr livingstone would have trouble hacking through it, an immersive ride though to be sure, and one which will make infinitely more sense at 4am sunday morning than it does at midday on a tuesday.

ostgut ton reissues neun of zehn with original tracks by ben klock and ryan elliott as well as len faki revisiting rainbow delta. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. without any doubt, the best klubnacht moments are when dancers let go in trance not peak time, not big hitters, its the subtle nuances that matter. ben klocks first solo production in six years on a internalises this formula: a simple beat, pulsing sirens, a shimmering melody, some sprinkling flute notes and ben’s your uncle. sirens is a pure, hypnotic cut, shrewd and stylish. on b1 ryan elliott underlines why he has been playing both of berghains floors regularly: smith lake is somewhere along the lines of micro techno/macro house, something living inbetween musical worlds and floors, combining tribalist bongo percussion with ethereal synth pads and a delicate bassline. is it safe to say that rainbow delta is a modern classic? because it is! on b2 len faki revisits his 2007 release in form of a stripped-down, bare-naked and intimate ambient version. a modern classic, turned seren

classy, full range, pulsating techno/ambient/ambient- techno ep

after numerous remixes, collabs and b2b sets, producers hey joe and josia loos are finally putting their collaborative efforts on wax. english for world of shards, scherbenwelt starts with resonating ambient tones leading into vast depths of an illusionary ambience, abruptly and unexpectedly obliterated by a rapid and thumping beat- it s a tough and unforgiving world the duo reveals through this track. pulling the curtains even further back, lohnarbeit, which translates to wage labour, reveals hard truths and makes no compromises. as the deep and unsettling voice declares, social existence comes at a price: labour. work, and you ll exist. tough words, appropriately reinterpreted through hard sounds. momentous techno, literally driven by the crack of a whip. ryan davis gracefully smoothes scherbenwelt s sharp edges, re-concealing these hard truths behind curtains of smooth melody, thus letting us float back into a daze of daydreams, and illusion.

dink & tk: young guns looking to make a name for themselves in detroit and beyond. for their debut they present 4 finely tuned club gems. from refined curves to warehouse edges, the sonic outline of detroit looms large in the newest offering from beretta grey. this is techno that evokes passion, on and off the dance floor.

ryan teague is a composer, producer and multi-instrumentalist based in bristol. his music combines acoustic instrumentation and arrangements with electronic and processed material, often incorporating minimalist, ambient and electro-acoustic styles

10 inch clear vinyl, limited to 500 copies (1 copy per costumer). vinyl only!

psychogeografie zum hören: halluzinogene minimal-klangreise in die großstadtwelt. die vinyl-lp erscheint inklusive download-code.

detroit-based musician/dj launches cuts against the current zeitgeist of sample dependent music. warm analog drums, thick melodic bass lines, interwoven synth patterns and intricate piano solos create a rich atmosphere for this old school detroit and chic.

the tuscan techno-wunderkind ilario alicante has made an amazing progression from an insiders tip to one of the most wanted italian tech house-djs at the moment.

after ryan davis album particles of bliss in june 2012 on traum it was clear to everyone that he was one oft he most versatile artists on the label. there was no electronic playground he did not enter. his phanstastic and illusionary music makes him such a special artist for traum.

2017 repress. only few lost original copies, not a repress! classic and essential baby ford & ryan elliott remixes!

etg007 villains e.p. two fresh new fast paced, dance floor, dj friendly tracks from label cohorts gareth wild, dax j and chris stanford. remix work comes in the form of a big room, atmospheric version of moonraker by berghain and panorama bars ryan elliott as well as the vengeance remix of engineers revenge from mexicos luis flores. with this release our closest astral object, the moon takes centre stage with menacing effect.

spencer parkers first single on his own label, deftly channels tenaglia/vasquez era nyc and comes backed with a remix by berghain/panorama bar resident, ryan elliott.

ryan elliott presents his second 12 inch ep for ostgut ton. his groovy us-sound is still present in these new productions and the stepmode ep builds a bridge between euphoria and darkish club moments.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

a real dj weapon. big ups!

fresh off the back of john jastszebskis celebrated work ep, d julzs bass culture records returns with a unique and varied double a-side featuring collaborations between berghain mainstay ryan elliott, label regular alex picone and the everinfluential analogue cops.

four remixes of tracks by ryan vail, exploring the leftfield side of house.

released in february, dapayk & padbergs sweet mnothings lp showcased an impressive grasp of contemporary electronic music, designed for headphones and dancefloors alike. now, six months later, stil vor talent delivers a remix package that presents the reworks of competition winners ariel curtis and dry/wet dreams, as well as remixes by ryan dupree and dapayk himself.

nice price deal !!! get ready for the next release from distored revelation. after the succes of their latest release, that has been supported by artists like neophyte, evil activities, panic, promo and many more, it is time for some new mayor bangers! this new release contains two massive tracks. mister ryan & the glory of the old gold!

bangin berlin berghain styled techno... played by ben klock !!!

nice price deal !!! next strike from kill a beat by label head alex sander himself. incl amazing remixes by ryan dupree (stil vor talent) and dirty room (glückskind)!

36 hours in. the lights are flickering and the sweat is pouring out of you like the thoughts that you re trying to write down, to get down the words, to put down the message, to translate all the ideas that keep appearing in your head. ideas like uninvited guests that keep showing up and refusing to leave. somewhere though, there s a truth in there. you know it because you saw it. you know it because you felt it. because when you knew that even though there were ten million reasons why you should go to bed now, why you should go to bed straight away. that you should put these silly things down and stop trying to create and just get some sleep already. that you should stop trying to wrestle the ideas in your subconscious down to the ground so you can actually capture and express them to others. but you persist.

you know a producer has got something when the first note of the first track you hear makes you sit up and take notice. so it is with 19-year-old east londoner joss ryan: the instant the jabbing orchestral motif at the beginning of >melancholy dreams< – the title track of his debut ep – kicks in, it hits your emotional centres hard and lodges in your memory. as statements of intent go, its a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.to put it simply: joss is a grime kid who expanded his horizons. his popular mix of his own material for mary anne hobbss radio show last december already shows that the three tracks on this ep are by no means a fluke, and there is a whole lot more to come besides…

slamming 3 track vinyl sampler , taken from the collaboration cd (oliver lieb & jimmy van m as the audible suspects)

ryan elliott has long been our not-so-secret weapon, lending his curatorial mastery to the massive spectral sound vol. 3 compilation, megamixingspectral 25, and of course by representing on turntables the world over. but after a mere handful of remix credits, he charges out of the gates with his first spectral production, kicking up. deep bass and snares hurtle ever forward, assisted by occasional, faint sonic flourishes and a bevy of throwback vocal loops, but is otherwise devoid of sustained melody. if nothing impedes the supercharged, supersexual, super-detroit momentum of kicking up, the stablo no. remix dials back the tech and pushes its house to the fore. shakers, claps, echo and a whole lot of lateral motion imbues elliott s take-no-prisoners original with a surprising conviviality.

supported by: danny tenaglia, ricardo villalobos, nina kraviz, raresh, pedro, cassy, dj qu, tania vulcano, ryan crosson, shlomiaber, d julz, system of survival, dana ruh, tato, matt tolfrey ...
edec offers up a third serving of deep tinged techno. this ep comes from egal 3 with remix duty going to ostgut star ryan elliott.

highly recommended! after the celebrated single >retro vogue<, restoration strikes back with a 4 track e.p. designed to blast the planetary sound systems. bombproof analogue music produced during wild sessions at the restoration headquarters.
on side a, blawan (r&s records), one of the most talented u.k youngsters, join the forces of the analogue cops. a1 is an analogue hand grenade: spacey, smashing, twisted. a2 is an heavy, jacky house excursion with delightful piano chords over solid raw beats.
on side b, mister ryan elliott (ghostly / ostgut ton) visits the analogue cops and the result is impressive. b1 is a forthright house track with a techno attitude, a sensual vocal hook runs over an huge bass drum with sharp hi-hats. b2 is an hard driving minimalistic sci-fi trip, dancefloor oriented but fast paced from trends.

the a12 motorway was wrapped in complete darkness. the lights of the windmills were blinking in the rhythm of the rotor blades passing by. they appeared just before sunrise. no one had ever seen this kind of creature ever before: red flashing, and bright shining alien butterflies attracted by the windmills. people stopped, and got out of their cars to watch this spectacle. the flying creatures were constantly creating new, kaleidoscope-like formations, and slowly, and very softly at first, they started singing. and although nobody really understood their behaviour, everybody understood their wistful and hopeful song.

new talent meets old talent on stil vor talent. thats how we roll. label daddy oliver koletzki was so impressed with the winner of the niko schwind remix competition that he is now releasing two tracks by him on this ep. meet ryan dupree who shares this release with sonic mastermind erich lesovsky, one of the most exciting sound creators this side of the atlantic.

ltd coloured 7 inch vinyl

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following ryan davis debut >routes of life< on traum in january 2011, his high acclaimed follow up shows ryan is a real tastemaker but also a real club rocking musician. few artists in the electronic modern dance scene of today make music that seems serious and intense... and still accomplishes to have club people go wild on it. it is a bit of a lost treasure of the golden techno days, ryan always reflects in his music when he creates moments of beauty with an collective fee to them. ryan davis in one of them and his new ep shows that side even more than his debut. a-side track supernova brings images together of psychedelic west coast soundtracks of the 70ies, pop art, shoe gazers and maybe salvatore dalis surrealism.

the latest addition to the ostgut roster, detroits ryan elliott, is a recognised force on the international dj circuit - yet his productions are few and far between. now re-located in berlin, the new berghain resident contributed his track >abatis< to the >fünf< anniversary compilation, setting the tone with dark and brooding techno undercurrents. these two new tracks bring ryans production skills to the fore, both slow burning and refined recordings that show off his love for bassline-led, straight forward club tools.

eclectic avenue pullout all the stops with this killer based on stephanie mills >watcha gonna do<, remix from pete herbert.

fergie & henry vons new label tribal rage. early support from fergie, tom budden, reset robot + many more

vinyl only release, first on decks.de ! massive tune from transitor & ryan davis. early support by laurent garnier, franco bianco, misjah, john selway ...

first on decks.de !!! dreamy techhouse by ryan davis kicks off the new wunderbar imprint, backed up with remixes by cosmic cowboys and estroe. wunderbar!

everyone being into house music should know paolo mojo by now.not only has he released and had success with some of the worlds biggest dance labels but he is also the man behind oosh records.
on this lovely piece of music mr. mojo gets deep down and funky to bring a more laidback vibe than he usually offers. the vocal hookline delievered by the lovely ryan starr will stick on your mind after only 1 listen and the tight beats and deep chords will make you wanna play it during your warm up session or just before heading into the more big room sounding stuff.

here is the first release from ryan davis on stereo seven plus, coming on strong with two superb quality techno tracks like cocoon and primary instincts. on the flipside andrea roma and alter breed deliver their versions of cocoon, the former exploring harder territories, the latter turning it into a refined house groove

a brand new signing for baroque, and a monsterous vocal anthem.. orig mix takes a techy jackin route with a bassline that will rock yer socks! remixes are plentiful.. stan kolev gives us big room style takes on both.. and andrewboy provides a massive tech roller, with everything inbetween. a simply large tune to end the year on a high